Concello das viñas e a ordenada repulsa (gl – en)

Hai uns tractores pequenos
arrastran cubas co tratamento
para as miles de viñas da comarca

a terra é poema de fartura
entre as mans escuras de sol

na estrada de entrada ao concelllo
bandeiras de solidariedade con Palestina

un cartel municipal cargado de razón
avisa da oposición á guerra e á tortura

mentres a dous quilómetros do benintencionado aviso
impunemente, coa connivencia dun goberno
necio, cínico e mesquiño
nesta terra fértil, agradecida
os vellos, en silencio, indefensos
morrían atados ás suas camas

durante a pandemia

o pobo só sabe chorar
o que as pantallas ordenan


Town of the vineyards and the orderly rejection

There are some small tractors
dragging sprayers with the treatment
for the thousands of vineyards in the region

the land is a poem of plenty
between sun-darkened hands

on the entrance road to the town
flags of solidarity with Palestine
a municipal poster loaded with reason
warns of official opposition to war and torture
while two kilometers from the well-intentioned notice
with impunity and the connivance of a government
stupid, cynical and petty
in this fertile, grateful land
older people, in silence, defenseless
died tied to their beds

during the pandemic

people only know how to cry
what the screens order

Compilación (gl – en)

Per tutti coloro che soffrono, anche per te, amica mia.

Co primeiro orballo da mañá
sorprendo a dor axexando
como un raposo á porta do galiñeiro
inocente marabíllome do seu peso específico
como sabe o camiño de memoria!
tan torpe eu na tentativa de esquivalo
ante a imposibilidade de evitalo
aloumiño a idea de imitar a Mendeléiev
compilando a táboa periódica dos sufrimentos
para sacalos da indefinición na que moran
establecendo así as magnitudes do grupo
que teña xa asociada a liberación do sal

Compilation

With the first dew of the morning
I catch by surprise the pain lurking
like a fox at the door of the henhouse
innocently I marvel at its specific weight
how it knows its way by heart!
so clumsy I am in the attempt to dodge it
faced with the impossibility of avoiding it
I come up with the idea of imitating Mendeleev
compiling the periodic table of forms of suffering
to draw them out of the indefiniteness in which they live
thus establishing the magnitudes of the group
that already has the liberation of salt associated

Trompe-l’œil (gl – en)

A superficie é todo 
este extenso garabateo
disposto en configuración tridimensional
que crea unha ilusión
capaz de enganar o ollo:
percibe volume en só duas dimensións
A profundidade
como un planeta remoto
únicamente é visíbel
nun punto da sua inmensa órbita

Trompe-l’œil

The surface is all
this extensive scribbling
arranged in a three-dimensional configuration that creates an illusion
capable of deceiving the eye:
it perceives volume in only two dimensions. Depth
like a remote planet
is only visible
at one point in its immense orbit

Compendio semanal (gl – en)

Esta semana que se agota 
inminentemente
deixou a imaxe dos prados ingleses
asolagados nunha marea branca
da que as árbores sacaban medio corpo
para beber da tenra luz matinal

tamén despóis de tantos anos
atopei o fío que te amarra
e tira constantemente de ti
nas primeiras páxinas dunha novela

e para rematar o compendio de eventos
a lectura e o sol conxuntáronse
para depositar con delicadeza
un pouso do cobizado desexo
tan propio da florida estación

Weekly roundup

This week that is
imminently running out
left the image of English meadows
flooded in a white tide
from which the trees took half their bodies
to drink from the tender morning light

also after so many years
I found the thread that ties you
and constantly pulls you
in the first pages of a novel

and to finish the compendium of events
reading and the sun came together
to gently deposit a lingering trace
of longed-for desire
so typical of the flowery season


Estilo (gl – en)

… por outra parte, 
o non estar nun grupo
dáme a liberdade
de experimentar
Así na cega soidade
combino a pedriñas de grava
do chan da miña cela
fago formas de corazóns
de veloces paxaros
e peixes escorregadizos
Non me obriga o grupo
a perfilar nubes brancas
ou esbeltos corpos de sirena
Así na mesma liña poño xuntos
unha pega, un merlo e un paporrubio
non agrupo por canto
ou prioridades alimenticias
pois a única regra
é a liña reta do testo
e a ela me acollo
e ceibo as palabras
que como as vacas
coñecen de memoria
o seu dereito consuetudinario
a beber a auga do rego
a marcar o seu paso tranquilo
polas pistas da miña vida

Style

… on the other hand
not being in a group
gives me the freedom
to experiment
Thus, in blind solitude
I combine pebbles
from the floor of my cell
to make heart shapes
swift birds
and slippery fish
The group does not force me
to outline white clouds
or slender mermaid bodies
Thus, in the same line, I put together
a magpie, a blackbird and a robin
I do not group them by singing
or food priorities
for the only rule
is the straight line of the texte,
and I avail myself of it
and I release the words
that, like cows
know by heart their customary right
to drink the water from the irrigation ditch
and mark their slow passage
through the country paths of my life

Son rico (gl – en)

Con esforzo consigo cada día  
manter o equilibrio
entre o que desexo
e o que podo tolerar
teño a comida que preciso
un teito onde medrar
ao quente, enxoito
pecho os ollos para escoitar
a respiración do mar
e o meu corpo
como un arbusto
á conquista da duna
encontra a paz
así, co sol e o vento
a miña pel aliméntase
como a planta polas follas
e como ela tamén inclino
tantas veces a cabeza
ao chan
tantas veces que me afixen
a aguantar a ausencia
do que non necesito
e a presión do baleiro
do peito cobizante
tralos movementos
no faiado
dos anxos non binarios
o meu territorio se cobre
de plumón branco
trato de imitalos
sen importar a derrota
os meus dedos acarician
conscientes, cautos
coidadosos, a fronteira
doutros corpos
ou da sombra que deixaran
son tantas vidas!
tantos decorados!
aínda que podo separar
o tramo da sustancia sólida
do da espiritual
e ordenar cada evento
cada decepción ben atada
estibada no seu alboio
golpe tras golpe aprendo
que o único importante
é aprender
e así dispoño
o seguinte paso,
quizais materia
quizais espírito,
no que me agarda
o temido
por descoñecido
pacientemente esperando
a ser descuberto

I’m rich

With effort I manage every day to maintain the balance between what I desire and what I can tolerate. I have the food I need, a roof to grow in, warm and dry, I close my eyes to listen to the breath of the sea, and my body, like a bush conquering the dune, finds peace. Thus, with the sun and the wind, my skin is nourished like a plant by its leaves, and like it, I bow my head to the ground so many times that I get used to enduring the absence of what I don't need and the pressure of the emptiness of my coveting chest. After the movements in the attic of the non-binary angels, my territory is covered with white down. I try to imitate them, regardless of defeat. My fingers caress, conscious, cautious, and careful, the border of other bodies or the shadow they left. There are so many lives! So many sceneries!  Although I can separate the solid substance from the spiritual and order each event, each disappointment well tied up and stowed in its barn, blow after blow I learn that the only important thing is to learn, and so I arrange the next step, perhaps matter, perhaps spirit, in which the dreaded unknown awaits me, patiently waiting to be discovered.

Ejercicios de geografía e historia (es – en)

Mujer de cenizas envuelvo mi cuerpo con tus heridas
Mujer de papel descifro los signos que guarda tu piel
Mujer blanca de sal tu piel y mi lengua alumbran un mar
Mujer de esperanza tus palabras el viento que sostiene mis alas

Geography and history exercises

Woman of ashes, I wrap my body in your wounds
Woman of paper, I decipher the signs your skin holds
Salt-whitened woman, your skin and my tongue give birth to a sea
Woman of hope, your words are the wind that sustains my wings

La cara interna (es – en)

Reboto contra las paredes de mi cuerpo abandonado en el rincón del sueño 

Llevo en las piernas cicatrices de todos los caminos que he trazado

Entre la maleza donde no había aún esperanza del fuego

Estoy en una silla dura y no se aprecian los viajes con zapatos de muerte

Que periódicamente gasto en las piedras de luminosos desiertos

Para comprobar que vuelvo extenuado como un buey sin herraduras

Desde fuera los jilgueros revocan los muros con trinos alegres

Los escasos viandantes mientras recorren los metros de fachada

Admiran su reflejo dorado en mis ventanas envidiándome una luz que no es mía

The inside face

I bounce against the walls of my body abandoned in the corner of sleep.

My legs bear scars from all the paths I've traced

Through the thicket where there was still no hope of fire.

I sit in a hard chair, and my journeys go unnoticed in death-worn shoes

Which I periodically wear down on the stones of glittering deserts

Only to find myself returning exhausted like an ox without horseshoes.

From outside, goldfinches sing joyful trills against the walls.

The few passersby, as they stroll along the facade

Admire their golden reflection in my windows, envying me a light that is not mine.

A nosa obra (gl – en)

Somos pingas de orballo 
cubrindo as follas de herba
dun inmenso prado gris.

Ás veces brillamos
co sol da mañá
semellamos galaxias en miniatura
outras podemos parecer duros
coma o xeo cando o mundo se enfría
ou incomodar a quen acaba
cos pés mollados.

Case nada do que facemos
ten mérito por nós mesmos
só somos recipientes da beleza
ou da dor que nos atravesa.

Finalmente estamos todos destinados
a abandonar a herba
só un número diminuto de nós
terá dereito a unha foto
que lembre ese resplandor
esa luz que foi a nosa obra
mentres o sol a atravesaba.

Our work

We are dewdrops
covering the blades of grass
in an immense gray meadow.

Sometimes we shine
in the morning sun
like miniature galaxies
at other times we may seem hard
as ice when the world gets cold
or uncomfortable to those who end up
with wet feet.

Almost nothing we do
has merit in itself
we are only containers of the beauty
or the pain that passes through us.

Eventually we are all destined
to leave the grass
only a tiny number of us
will have the right to a photo
to remember that glow
that light that was our work
while the sun shone through it.

Hora de marchar (gl – en)

Na hora de marchar 
colocóuseme unha carga
no centro do peito

ha ser que de tantas inspiracións
á beira das augas
para gardar comigo a esencia
acabei por inhalar o mar enteiro

agora está aquí dentro
e unha poderosa lua chama por el
coa forza primaria, ineludíbel dos astros

sometida ao capricho
matemático das órbitas
periódicamente sei
virá reclamar para si
o que de contrabando me levo

Time to leave

When it was time to leave
a burden was placed
on the center of my chest

It must be that from so many inspirations
at the edge of the water
to keep its essence with me
I ended up inhaling the entire sea

Now it is inside me
and a powerful moon calls for it
with the primary, inescapable force of the stars

subjected to the mathematical
whims of the orbits
I know that periodically
she will come to claim
what I have smuggled away