No día sinalado (gl – en)

O tractor teimudo rascou a tona verde

Empuxado polo cortexo de plumas brancas

A terra aberta mostrou o seu ventre marrón

Fértil, debecendo pola vida acolleu a semente 

Pero no día sinalado, a semente e a terra, 

As aves e o tractor, desterrados, solitarios,

Axexaron o estático telón azul ata o horizonte 

Agardando en van algún movemento

Mentres mudos escoitaban festas ao lonxe

On the appointed day

The stubborn tractor scratched the green field

Pushed by the courtship of white feathers

The open soil showed its brown belly

Fertile, desiring life, it welcomed the seed

But on the appointed day, the seed and the soil,

The birds and the tractor, banished, solitary,

Stalked the static blue curtain to the horizon

Waiting in vain for some movement

While silently listening to distant celebrations

Embarque

Levaba días remangado facendo cola

O meu corpo falábase en silencio

As cinco linguas dos océanos

Preparando as cadernas para a travesía

Levaba uns días de brisa cálida e salobre 

Viaxándome polas veas 

Rascando a ferruxe invernal acumulada

Espertaba tras unha noite abrazado 

Abrindo os ollos, o teu corpo 

Como auga, como fume esvaído

Escorregábame das mans, dos dedos

No peirao, finalmente hoxe pola mañá

Embarquei cheo de ilusión 

Na máis fermosa das primaveras

Boarding

I had been waiting in queue for days

My body spoke silently

The five languages ​​of the oceans

Preparing my ribs for the voyage

I’d been feeling a warm, salty breeze for days

Traveling through my veins

Scraping the accumulated winter rust

I was waking up after a night of hugging

Opening my eyes, your body

Like water, like fading smoke

Was slipping from my hands, from my fingers

On the pier, finally this morning

I embarked full of excitement

In the most beautiful of springs

Admiración (gl – en)

Na presa, unha onda envolve e arrastra 

o papel no que melancólico escribira

versos sen rima, ferramenta extractora

no lento proceso de varrer a escuridade

envexo as propiedades intrínsecas 

das ás das gaivotas, 

a navegación fluida entre os rañaceos;

elas descoñecedoras da miña admiración 

seguen visitando cada mañá

a fedorenta empacadora

*

Admiration

In the rush, a wave grabs and drags away 

the paper on which melancholy I had written

unrhymed verses, an extractor tool

in the slow process of sweeping away the darkness

I envy the intrinsic properties 

of the seagulls’ wings 

their fluid navigation between the skyscrapers;

they, unaware of my admiration, continue to visit every morning

the stinking recycling centre

Non tiñamos alma (gl – en)

De pequenos non tiñamos alma

Eramos só unha materia que encher de coñecementos, futura man de obra na que meter os números, as letras, os nomes dos ríos, as divisións administrativas…

De pequenos había uns roles moi marcados, se nacías home non podías usar colonia, vestirte de colores, nin chorar.

De pequenos non importaba para nada a parte de dentro, creo que eramos como o gando, alimentados para producir.

De pequenos, na escola, eramos animais sen alma, calquera indicio de sensibilidade era afogado pola burla.

We had no soul

When we were little, we had no soul

We were just a matter to be filled with knowledge, future workforce to put numbers, letters, river names, administrative divisions into…

When we were little, there were very defined roles, if you were born a man you couldn’t wear cologne, dress in colors, or cry.

When we were little, what was on the inside didn’t matter at all, I think we were like cattle, fed to produce.

When we were little, at school, we were soulless animals, any hint of sensitivity was drowned out by ridicule.

Orificio de saída (gl – en)

Un ano despóis 

sobre o moble da televisión 

do piso catorce do aparthotel 

como o orificio de saída 

un libro e unha libreta 

que me deixa esta cidade 

ao acabar de atravesarme

Non imaxinaba 

que a potente enerxía 

que abrolla nesta cidade 

ía conseguir moverme os marcos 

abrir a cancela e facerme comprender 

que mundo aí afora 

nin se move só, 

nin está afora

Exit wound

A year later

on the TV cabinet

on the fourteenth floor of the aparthotel

like the exit wound

a book and a notebook

that this city leaves me

after passing through me

I never imagined

that the powerful energy

that erupts in this city

would manage to move my frames

to open the gate and make me understand

that the world out there

neither moves alone,

nor is outside

Mobles (gl – en)

Nas mans os mobles

Casiña de bonecas enchendo a furgo

Nas mans os mobles

Arquitectura dunha vida xuntos

Que pouco ocupan os nosos escenarios!

As nosas dores viaxan mesturadas

Entre madeiras e bisagras

Bolsas de roupa e caixas de libros 

As sombras coas que batemos

Engánchansenos aos vultos 

Quixera un océano de sal e vento

Non esta noite de camións e autoestradas

As pálpebras a cancelar a primavera

Mentres as nosas mans xuntas

Carrexan os mobles

Furniture

▪︎

In the hands our furniture

Dollhouse filling the van

In the hands our furniture

Architecture of a life together

How little our stages occupy

Our pains travel mixed

Between wood and hinges

Clothing bags and book boxes

The shadows we beat

Cling to our bundles

I wish for an ocean of salt and wind

Instead of this night of lorries and motorways

My eyelids canceling spring

While our hands together

Carry our furniture

A corda (gl – en)

Perdo o tempo 

Levo as agullas á perfección das estatuas

Dez e dez dos mundos mortos

Como a corda que ata a cabra

Hai un universo por descubrir

Limando as horas na falida imitación

Do mil veces emulado

A perfección, límite do coñecemento

Na plantilla dun soneto 

Escribo palabras ao chou

Co único condicionante da rima

Morte Sorte Porte Corte

Marta Sarta Carta Parta

Xa teño as fibras da corda

So queda o traballo de tecido

Nada fóra do circulo de pasto

Só a sonoridade do canto

Podería tirar algún proveito

▪︎

The rope

I waste my time

I take the needles to the perfection of the statues

Ten past ten of the dead worlds

Like the rope that ties the goat

There is a universe to discover

Filing the hours in the failed imitation 

of what has already been emulated 

A million times

Perfection, the limit of knowledge

In the template of a sonnet

I write words at random

With the only condition of rhyme 

Die, Shy, Thigh, High

King, String, Wing, Fling

I already have the fibers of the rope

All that remains is the work of weaving

Nothing outside the pasture circle

Only for the melody of a song 

Could it be of any use

A monótona percusión (gl – en)

Aquí comezan as vías

Hai un tren que só vai cara adiante

A esperar por min no andén

Subo ao vagón no que pasarei o día enteiro

E a noite arrolado pola monótona percusión

Das rodas metálicas nas unións dos raís

O mundo é unha minúscula xeografía

Cando se ten un obxectivo

Preto do corazón

*

The monotonous percussion

*

Here the tracks begin

There is a train that only goes forward

Waiting for me on the platform

I get into the coach in which I will spend 

The whole day and night 

Rocked by the monotonous percussion 

of the metal wheels on the joints of the rails

The world is a tiny geography

When you have a goal

Close to the heart

Caos e cadáveres (gl – en)

Nin imaxinaba que o caos puidese xerar esta inexplicable abundancia de vida

*

A estricta orde, que mantiña a casa lista para inspección a todas horas, facíaa cada día máis semellante ao cemiterio

*

O barco amarrado soportaba ben as tormentas, a auga estancada da dársena non creaba novos camiños para as neuronas

*

*

Non imaxinaba que tan lonxe houbesen quedado tantos cadáveres, tan repulsivos 

*

que hoxe haxa que superar a náusea para darlles enterro 

*

admitindo cunha dor de navallas no ego, os erros necesarios para percorrer todo este camiño

*

Chaos and corpses

*

I never imagined that chaos could generate this inexplicable abundance of life

*

The strict order, that kept the house ready for inspection at any time, made it more and more like a cemetery every day

*

The moored boat withstood the storms well, the stagnant water of the dock did not create new paths for the neurons

*

*

I never imagined that so many corpses had been left so far away, so repulsive 

*

that today we have to overcome the nausea to bury them

*

admitting with a razor-sharp pain in our ego, the mistakes necessary to travel this entire path.

Navegante (gl – en)

Como unha materia seca aboiando

Ou como un peixe áxil

Percorro o curso do río

A ribeira estrañamente despoboada

Onde se meteron todos?

Non lonxe, en outeiros solleiros

Unhas estruturas feitas de paus

Sosteñen cadáveres de congros

Inquiétame esta soidade

Imaxino a todos nun niño quente

Que eu non dou atopado

Non renego do meu destino

Á fin sei que nacín navegante 

Mais por veces semella un deserto

a tona do ancho mar

*

Sailor

*

Like a floating dry matter

Or like an agile fish

I travel along the river

The bank strangely abandoned 

Where did everyone go?

Not far away, on sunny hills

In some structures made of sticks

Hang the corpses of conger eel

This loneliness worries me

I imagine everyone ele in a warm nest

That I can’t find

I don’t deny my destiny

Finally I know I was born a sailor

But sometimes it seems like a desert

The surface of the wide sea